• ABOUT
    • Manual
    • Contact
  • TIMELINE
    • World Events
    • Artist Groups
  • GROUPS
    • AZIMUTH >
      • Azimuth Chronology
      • Azimuth Exhibitions
    • DVIZHENIE >
      • Dvizhenie Chronology
      • Dvizhenie Exhibitions
    • EQUIPO 57 >
      • Equipo 57 Chronology
    • EXAT 51 >
      • EXAT 51 Chronology
      • EXAT 51 Exhibitions
      • ON EXAT 51 >
        • by Tihomir Milovac
    • G58 >
      • G58 Exhibitions
    • GORGONA >
      • Gorgona Chronology
      • What is (was) Gorgona
    • GRAV >
      • GRAV
    • GRUPPO N
    • GRUPPO T >
      • Gruppo T Chronology
      • Gruppo T Exhibitions
      • Gruppo T by Grazia Varisco
    • GUTAI >
      • What is Gutai
      • The Gutai Manifesto
      • Gutai Chronology
      • ON GUTAI >
        • Gutai by Bruno Cora
        • Gutai by Henk Peeters
        • Gutai by Helen Westgeest
        • Gutai by Atsuo Yamamoto
      • EXHIBITIONS >
        • Gutai Retrospective Exhibitions
        • Gutai Exhibitions Views
      • ARTIST WRITINGS >
        • Gutai by Jiro Yoshihara
    • NEW VISION GROUP >
      • NVC Chronology
    • NIG >
      • NIG Chronology
      • NIG Exhibitions
    • NUL >
      • Nul Diagramm
      • ON NUL >
        • Nul by Tijs Visser
        • Nul by Antoon Melissen
        • Nul by Colin Huizing
      • INTERVIEWS >
        • Henk Peeters
        • Jan Schoonhoven
        • Herman de Vries
        • Armando
        • Jan Henderikse
      • EXHIBITIONS >
        • Nul Exhibitions
        • Retrospective Exhibitions
    • PUNTO >
      • Punto Chronology
    • ZERO >
      • HISTORY >
        • Zero Group
        • Heinz Mack
        • Otto Piene
      • ON ZERO >
        • ZERO by Daniel Birnbaum
        • ZERO by Norman Rosenthal
        • ZERO by Jane Clark
      • STATEMENTS >
        • Heinz Mack
        • Otto Piene
        • Günther Uecker
      • INTERVIEWS >
        • Daniel Birnbaum
        • Tijs Visser
      • PUBLICATIONEN >
        • Books
        • Videos
      • EXHIBITIONS >
        • ZERO Exhibitions
        • Retrospective Exhibitions
    • ZERO / OREZ >
      • OREZ Chronology
  • ARCHIVES
    • ARTISTS >
      • Henk Peeters
      • Jan Schoonhoven
    • GALLERIES >
      • Lausanne, Galerie Kasper
      • The Hague, Orez
    • INSTITUTES >
      • Antwerp, Hessenhuis / Letterenhuis
      • Los Angeles, Getty Research Institute >
        • Pierre Restany
        • Hans Haacke
        • Otto Piene
        • Lucio Fontana
        • Jan Schoonhoven
        • Yayoi Kusama
    • MUSEUMS >
      • Amsterdam, Stedelijk Museum >
        • Bewogen Beweging, 1961
        • Nul 1962, 1965
      • Antwerp, Museum voor Schone Kunsten
      • Herning, HEART
      • Lissone, Museo d’Arte Contemporanea,
      • Zagreb, Museum of Contemporary Arts
    • PRIVATE >
      • under construction
  • IMAGES
    • Archive >
      • Step 1
      • Step 2
    • Conditions
    • PHOTOGRAPHERS >
      • Herbert Behrens
      • Pieter Boersma
      • Marianne Dommisse
      • Erika Kiffl
      • Harry Verstappen
  • PROJECTS
    • KUSAMA >
      • Historical exhibitions
      • Research focus
      • ARCHIVES >
        • Henk Peeters
        • Yayoi Kusama
        • Orez Gallery
        • Getty Archive
      • BROADCASTS >
        • Kusama in New York, 1965
        • Kusama in Venice, 1970
        • Kusama in Essen, 1966
        • Kusama in Loenersloot, 1968
        • Kusama in The Hague, 1967
        • Kusama in Venice, 1966
  • Papers
  • Vimeo
0-archive

How to use the archive

 This web-archive contains more than 100 pages. Most of the pages are under construction, as information will be added regularly. The find-field on the top right is a fast way to orientate or find specific information. The Vimeo symbol on the top right leads to our video archive, with mostly hidden historical videos, and locked with a password. Red-marked items are directly linked to other information. Some dossiers are locked with a password and only available upon your request through the contact page. ​The texts on this web-archive are collected and written by a small group of experts and are published in various scholarly publications. If you use any of these texts refer to the original publication, if mentioned, or refer to this web-archive.

Some of the text, images, graphics, audio and video clips, and other content of this website (collectively, the "Content"), are protected by copyright law, where the copyright is owned by third parties. We are making the third-party Content available to you under the fair use doctrine. Fair use permits only certain limited uses of the Content. You may use the web-archive and its Content only for your personal, educational and scholarly use. If you wish to distribute or make any of the Content available to others or to use any Content for any purpose other than your personal, educational and scholarly use, you must obtain any required permission from the copyright holder. 

It would be of great help if you could let us know that you have been working with this web-archive. If you find material in this archive from which you know or believe that it should not be available to third parties, please contact us asap. Please go to the contact page and send us your name and remarks, corrections, questions or additional material. Thank you for showing interest in this platform. 
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